By J.K. RowlingOriginally published on on Aug 10th 2015Although vampires exist in the world of Harry Potter, as shown by the literature that Harry and his friends study in Defence Against the Dark Arts, they play no meaningful part in the story. The vampire myth is so rich, and has been exploited so many times in literature and on film, that I felt there was little I could add to the tradition. In any case, vampires are a tradition of Eastern Europe, and in general I tried to draw from British mythology and folklore when creating adversaries for Harry. Aside from passing mentions, therefore, the only vampire whom Harry meets in the books is Sanguini in *Half-Blood Prince*, who makes a faintly comic appearance at a party.
Looking back through my earliest notebooks, however, I found that on my very earliest list of staff, there was a subjectless vampire teacher I had forgotten, called ‘Trocar’. A Trocar is sharply pointed shaft inserted into arteries or cavities to extract bodily fluids, so I think it a rather good name for a vampire. Evidently I did not think much of him as a character, though, because he disappears fairly early on in my notes.
For a long time there was a persistent fan rumour that Snape might be a vampire. While it is true that he has an unhealthy pallor, and is sometimes described as looking like a large bat in his long black cloak, he never actually turns into a bat, we meet him outside the castle by daylight, and no corpses with puncture marks in their necks ever turn up at Hogwarts. In short, Snape is not a revamped Trocar.
By J.K. RowlingOriginally publishe on Aug 10th 2015
The following notes on wand length and flexibility are taken from notes on the subject by Mr Garrick Ollivander, wandmaker.
Many wandmakers simply match the wand length to the size of the witch or wizard who will use it, but this is a crude measure, and fails to take into account many other, important considerations. In my experience, longer wands might suit taller wizards, but they tend to be drawn to bigger personalities, and those of a more spacious and dramatic style of magic. Neater wands favour more elegant and refined spell-casting. However, no single aspect of wand composition should be considered in isolation of all the others, and the type of wood, the core and the flexibility may either counterbalance or enhance the attributes of the wand’s length.
Most wands will be in the range of between nine and fourteen inches. While I have sold extremely short wands (eight inches and under) and very long wands (over fifteen inches), these are exceptionally rare. In the latter case, a physical peculiarity demanded the excessive wand length. However, abnormally short wands usually select those in whose character something is lacking, rather than because they are physically undersized (many small witches and wizards are chosen by longer wands).
Wand flexibility or rigidity denotes the degree of adaptability and willingness to change possessed by the wand-and-owner pair – although, again, this factor ought not to be considered separately from the wand wood, core and length, nor of the owner’s life experience and style of magic, all of which will combine to make the wand in question unique.
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By J.K. RowlingOriginally published on on Aug 10th 2015
J.K. Rowling’s thoughts
Witches and wizards often reveal themselves to each other in public by wearing purple or green, often in combination. In Britain (and much of Europe) purple has an association with both royalty and religion. Purple dyes, being costly, were once worn only by those who could afford them; bishops’ rings are traditionally set with amethysts. Green has long had a supernatural connection in the UK. Superstition says that it ought to be worn with care; the fairies are supposedly possessive of it, as it is their proper colour. It ought never to be worn at weddings, due to a further association with misfortune and death. Green is the colour of much ‘Dark’ magic; of the ‘Dark Mark’, of the luminescent potion in which Voldemort conceals one of his Horcruxes, of many ‘Dark’ spells and curses, and of Slytherin house. The combination of purple and green, therefore, is suggestive of both sides of magic: the noble and the ignoble, the helpful and the destructive.
The four Hogwarts houses have a loose association with the four elements, and their colours were chosen accordingly. Gryffindor (red and gold) is connected to fire; Slytherin (green and silver) to water; Hufflepuff (yellow and black, representing wheat and soil) to earth; and Ravenclaw (blue and bronze; sky and eagle feathers) to air.
Colours like peach and salmon pink are distinctly un-magical, and therefore much favoured by the likes of Aunt Petunia. On the other hand, shocking pink, as sported by the likes of Nymphadora Tonks, conveys a certain punky ‘yes, I’ve got a Muggle-born father and I’m not ashamed of it’ attitude.
Colours also played their part in the naming of Hagrid and Dumbledore, whose first names are Rubeus (red) and Albus (white) respectively. The choice was a nod to alchemy, which is so important in the first Harry Potter book, where ‘the red’ and ‘the white’ are essential mystical components of the process. The symbolism of the colours in this context has mystic meaning, representing different stages of the alchemic process (which many people associate with a spiritual transformation). Where my two characters were concerned, I named them for the alchemical colours to convey their opposing but complementary natures: red meaning passion (or emotion); white for asceticism; Hagrid being the earthy, warm and physical man, lord of the forest; Dumbledore the spiritual theoretician, brilliant, idealised and somewhat detached. Each is a necessary counterpoint to the other as Harry seeks father figures in his new world.
Dumbledore is portrayed by Richard Harris in the film adaptations of Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets. After Harris’ death, Michael Gambon portrayed Dumbledore for all of the remaining films.
By J.K. RowlingOriginally published on on Aug 10th 2015
The wizarding world’s affection for the Scottish rugby team is all the more bizarre because a substantial part of wizarding society knows nothing about Muggle sports, which they regard as inherently dull and even silly. Yet the Scottish rugby team has become a wizarding meme – part in-joke, part genuine interest – which has its roots in the nineteenth century and is a tale both sad and uplifting.
The wizarding family of Buchanan lived in a village in the Scottish Borders for many generations. A reputation for aggression and drunkenness, coupled with their prodigious size (the daughters alone had won the village tug-of-war every year in living memory), kept their neighbours at a respectful distance and ignorant of their magical abilities. One by one, as they reached the age of eleven, the Buchanan sons and daughters would disappear to Hogwarts. The village whispered that the enormous, wild children were being removed to a corrective facility or even a mental institution.
By the mid-nineteenth century the Buchanan family comprised an overworked mother, a fierce father and eleven children. The household was loud and chaotic, but even so, it is surprising that neither of the Buchanan parents realised that their third son, Angus, was a Squib – a wizard-born child with no magical powers. It had always been the proud boast of Mr Buchanan senior that such an anomaly had never occurred in their family. The proud old warlock went further: a Squib in any family was a sign that they were in decline and deserved to be winnowed out.
His brothers and sisters were all very fond of Angus, who was the largest and kindest of them all, so they covered up for him in front of his parents. The deception was innocently begun, but as the time approached for him to leave for Hogwarts, Angus and his siblings became uneasily aware that they could not maintain the pretence much longer. No letter from school arrived for Angus, but his panicking sister Flora forged one, which kept the parents in ignorance for several weeks more. Shy, good-natured and frightened of his father, Angus could not think of any alternative but to play along with his older siblings. They took him to Diagon Alley, where they bought a wand and pretended that it had chosen him. On the appointed day, his big brother Hamish took him to Hogwarts on the back of his broomstick, hoping against desperate hope that Angus would be allowed to stay once they got there, or that the school might be able to tease some magic out of him.
It had never happened before and it has never happened since, but Angus got as far as the Sorting Hat before he was exposed. In sheer desperation he threw himself ahead of a girl whose name had been called and placed the Hat upon his head. The horror of the moment when the Hat announced kindly that the boy beneath it was a good-hearted chap, but no wizard, would never be forgotten by those who witnessed it. Angus took off the hat and left the hall with tears streaming down his face.
News of Angus’s humiliation reached his parents in a flurry of owls before their son arrived home on foot. He was met by his humiliated father, who barred his entrance, bade him never darken their door again, and fired curses after Angus as he fled.
Without any idea of what he would do next, without family or money, the eleven-year-old Angus walked to the capital, occasionally hitching rides on carts. In Edinburgh he lied about his age and managed to find work as a labourer.
To Angus’s surprise, Muggles were not nearly as bad as his father and mother had always told him. He had the good fortune to be taken in by a kind foreman and his wife who had no children of their own, and by the time he was eighteen, Angus had grown into a big strong man who was loved for his kind nature and admired for his physical prowess, but who never shared the strange secrets of his past.
Angus’s early childhood had been spent dodging curses on an almost daily basis, which meant that he was surprisingly fast for a man of his size. He found his greatest pleasure and pride in athleticism, and soon became adept at the relatively new Muggle sport of rugby. Years of helping his siblings catch Golden Snitches in the back garden also made him a natural at cricket.
In 1871 Angus found himself representing his country in the first ever international rugby match, which took place in Edinburgh between England and Scotland. Angus’s emotion can perhaps be imagined as he walked out onto the pitch and saw all ten of his brothers and sisters among the spectators. Defying their father’s contempt for all Muggle pursuits and his injunction against ever seeing Angus again, they had set out to track him down. Elated, Angus scored the first try. Scotland won the match.
Reunion with his family caused Angus to reevaluate his relationship with his magical roots and in 1900 he published the groundbreaking worldwide bestseller My Life As A Squib. Until this point, Squibs had lived in the shadows. Some clung to the fringes of the wizarding world, always feeling second-class and trying to fit in; others cut all ties and lived entirely as Muggles, often repudiating their beginnings. My Life As A Squib brought the plight of these individuals to the wizarding world’s attention.
Thus Angus Buchanan became world-famous among wizards whilst also being celebrated among Muggles, a hitherto unknown achievement. Wizards of many nationalities began turning up to watch him play sport. Unfortunately, cricket found little favour with wizardkind. As the chief sports writer in the Daily Prophet wrote in 1902: ‘A Beater who is unable to fly defends three sticks instead of a hoop, while a Snitch without wings is thrown at the sticks. That’s it. Sometimes for several days.’ Rugby held more appeal. Wizards could not help but admire the strength and courage of Muggles prepared to engage in a sport so brutal, without recourse to Disapparating out of the way, or access to Skele-Gro to repair broken bones. It must be admitted that there was an edge of sadism to some wizards’ enjoyment.
When Angus Buchanan died, he was honoured by both wizarding and Muggle worlds, an almost unique achievement in the annals of history. A shining example of a person who had made the most of the hand that life had dealt them and emerged triumphant, Angus was too modest to realise the impact that he had had. The Angus Buchanan Cup for Outstanding Effort is awarded at Hogwarts each year and My Life as A Squib is on its 110th printing.
When it comes to wizarding sports and games (Quidditch, Quodpot, Creaothceann – officially banned but still played illegally – broom-racing, Gobstones and so forth) wizards are naturally fiercely partisan and support their own country, but it is considered infra dig for wizards to support any rugby team other than Scotland. Over the nearly 150 years since Angus Buchanan helped win the first international rugby match, discussing Scottish rugby has become one of several covert identifiers for wizards meeting in front of Muggles and seeking to establish each other’s credentials. Eavesdropping Muggles might be puzzled as to why two Peruvians are so interested in a Scottish team, but it is generally agreed that this is preferable to arguing about Quidditch or comparing wand lengths in public.
Shortly after Angus’s death, the Wizarding Supporters of Scottish Rugby Union was set up in his memory by his devoted fans. The WSSRU, which exists to this day, has both Scottish and foreign wizarding members. They meet on the eve of every Scottish international match to toast Angus’s memory and anticipate a happy eighty minutes of watching Muggles trample each other into the mud. The International Statute of Secrecy expressly forbids wizards to participate in Muggle sport, but there is nothing illegal in supporting a Muggle side. However, the WSSRU has often had to deny the persistent rumour that its secret mission is to smuggle a talented Squib on to every Scottish team. Current suspects include Kelly Brown (possible cousin of Lavender’s), Jim Hamilton (strong resemblance to Hagrid) and Stuart Hogg (enough said).